Decolonial Passage is honored to announce the nominations for next year’s Pushcart Prize Anthology. This list includes writing published during the 2025 calendar year. Congratulations to the nominees!


Poetry

Jesse Gabriel Gonzalez – “Moon Blues”

Yanis Iqbal – “and how shall i walk when the street sings of fire?”


Short Stories

.Chisaraokwu. – “The Visitor”


Essays/Memoirs

Bright Aboagye – “Do They See You?”

Stone Mims – “A Letter to My Grandfather”

Kimberly Nao – “I, too, am California”

Decolonial Passage is honored to announce the nominations for next year’s Best American Essays Anthology. This list includes writing published in 2025. Congratulations to the nominees!


“A Letter to My Grandfather” by Stone Mims


“I, too, am California” by Kimberly Nao


“Eid Mubarak, America” by Gemini Wahhaj

All you ever wanted was to be seen. For someone to read your writing, give remarks, identify you, respond, criticize, and recognize your work. Although it never happens, you share your writing: hoping it will resonate, hoping they will love it, hoping someone will notice your tone, hoping that life will be better after all.

No retweets, no reshares, not even a casual, “This was nice.”

And every time, there’s a distinctive level to the pitch following the uncountable rejections you have received: from the magazines you admire, from people who claim to “support upcoming writers.” And every time you send work to them, there’s a beauty in how they bounce back to you with an “unfortunately”.

The sadness wells up, pushing at the back of your eyes, threatening to tumble and rain down. Your mind floats to everything you’ve tried. Every thought that has rained in your mind. You just want to be heard, to have someone see you, for people to read and cherish the gift/curse you’ve always had.

***

You’d written what you thought was your best. You spent hours reading and rereading, trying to get it just right. And still, they didn’t see you. And when someone finally did, they didn’t listen. They didn’t understand the fight in your words, the way you were writing for more than yourself, for your family, for your future, and for the dreams you thought were simply living in your head.

Every story you wrote was a piece of your life. You’d disguised it in other characters and other settings, but it was always you in there: your struggles, your hopes, your truths, dancing with reality within the lines.

***

That night, as you walk into Valco Hall, the heavens open into you, and you look for a sign to sort your problems. You think about what you’ll say to Fatau, your roommate. You’ll ask him for help for the first time. You don’t want to; nonetheless, you’re running out of options. You don’t want to bother your mother. She’s done too much already, always standing by you, always encouraging you even when things were hard. You know she doesn’t have the money.

Today feels like your last chance. You know Fatau will say yes if you ask. He’s kind, always thoughtful, and has shown you how good he can be. However, you’re not close to him. You’ve never been close to anyone.

Most of the time in the room, it’s just you. Talking to yourself, laughing at your own jokes, planning stories in your head, and speaking out loud to yourself. You’ve read your drafts alone and clapped for yourself because no one else ever did. Fatau never noticed. He probably thought you were mad. Or he never heard you probably.

When you step into the room, his friend is there. The one with the braids, the one from your mother’s home country. You’ve never told him that. He might ask too many questions, and you don’t feel the urge to answer him. You are never fond of sharing too much about yourself.

You greet them, but they don’t even look up. They’re busy, playing on the PS5, their faces lit up by the movements on the screen and their mouths shouting out words to people who only live in such realities. You move around the room, from your bed to the balcony, hoping both will notice you, say something. Recognize your agitation. They don’t.

That’s how it’s always been.

***

You think about the time you tweeted, tagging all those advertising agencies, hoping someone would see it. No one did. You remember scrolling through LinkedIn, sending messages to HR managers, and pouring out your heart into every word. One of them read your message. You saw the “seen” tick, but he never replied.

In your emails, you even said, “If you’re not interested, just send me a rejection. I’ll understand.” They didn’t bother. You followed up, again and again, sending more messages into the same nothingness.

You think back to the time you waited for a response from Ogilvy, your dream company. The delay dragged on until you gave up, deciding to move on and start school again. Then, out of nowhere, they called you for an interview. You sat across from them, explaining that you were now back in school. They nodded politely, and you knew in that second, the job was gone before it even began.

You remember that day. The day you received a call from Insel Communications, the rush of adrenaline as you checked your balance. Twenty-five Ghana cedis. Just enough for an Uber to East Legon. You booked the ride anyway, stomach tight with worry, but excitement overflowing in your soul the way a caged bird sings of freedom. You had been waiting for this.

The boss was accommodating. He was short and made sure his words carried the room, making him taller than his frame. He was in a meeting. You knew it had to be the Gong Gong Awards. You had spent nights combing through industry articles, memorizing jury members’ names like a desperate student before an exam. Your life, at that point, revolved around these professionals, their movements, their triumphs. You followed them the way the tide follows the moon — pulled, fidgety, unable to resist, and determined to play its part.

Then you saw him.

A glance. No! It was a frozen second suspended on the screen, appearing with every wish that you had once made to be near him.

 Andrew Ackah. The man whose career you had studied the way Christians study the scripture. His words had guided your dreams, his achievements, a map to places you wanted to go. You had stalked his life online, knew the places he worked, the books he recommended, the speeches he gave, and even where he stayed with his family. And now, here he was, a few feet away, discussing something with the director of Insel online. You needed the job more than anything just so you could… be so close to your industry idol, just so your dreams could sprout from the ground.

While still in the meeting, the director turned to you and asked about your favorite book.

Gone Girl” you said without thinking. A lie. A reflex. You couldn’t have told him the truth. You couldn’t have said your favorite book was by Akwaeke Emezi, a writer whose words were home to you but whose identity you feared would betray you before you even had a chance.

Then came the test. The page in front of you looked surprising. The creativity you carried as a second skin abandoned you. This is copywriting? You knew, even before handing the horrible handwriting back to them, that you weren’t going to get the job. The Uber fare had been a gamble you lost. So, you walked.

From East Legon to Bawaleshie to Legon. The rain came down in sheets, filling your shoes, soaking into every piece of your trousers and the white boxer shorts you bought before the Kantamanto fires. You prayed. Not for another job, not even for a sign. It should just be for something, anything, to remind you that you were still headed in the right direction.

Four days later, hunger was eating itself around your stomach. You lay on your bed, staring at the ceiling when your phone rang. Regina, an administrator from another company. A meeting on Monday.

This time, you borrowed from MTN Quick Loan.

The journey was long. A crawl through traffic, through neighborhoods that screamed wealth and places you had never been. The estate was lovely, your first time in one. You wanted to work there. To belong there, to smell like them. And you crossed your hands to do your best in the interview.

Thomas, the boss, liked you or so you thought. You could tell from the way his eyes shone when you spoke, the way he nodded, delighted and impressed with your background.

“Great diction,” he said. “You’re eloquent. You have quite a presence.”

And for a moment, just a moment, you believed you had finally found a place where you fit.

Then you walked out, the door clicking shut behind you. But something kept your feet planted just outside, your breath moving in rhythm to your curiosity. You listened to him and the other board members.

Laughter. Its sound had cruelty in its throat. The one that stung more than mosquito bites.

“He’s too effeminate. Probably gay. Sounds too much like a girl.”

The words cut like glass lodged in the gums, impossible to ignore. And your mouth opened in shock to the words. Your breath faster, heartbeat swifter, the promise of belonging disappearing behind the door as you bid bye to the estate.

They never called back.

And despite your follow-ups, your emails, and your polite check-ins, the silence was its own kind of answer.

***

It wasn’t the first time life had teased you with possibilities only to snatch them away. After your bachelor’s degree, you struggled just to start National Service. When you finally got a placement, you worked hard, but no one noticed. You felt invisible. It’s almost as if you didn’t exist in the same world as everyone else. You were a ghost people spoke to when needed and ignored when you desired them to see you.

You dreamed of studying abroad, of leaving everything behind to start fresh. But when you asked for help, no one came through and it was a battle too big for you to even start. After National Service, you sat at home, endlessly applying for jobs. Every email you sent felt more personal than the last, and the rejection came like rain in June.

You thought going back to school would fix everything. Another degree?! Surely that would open doors you reassured yourself. You gathered what little savings you had left to buy the university forms, not even sure where the money to pay the fees would come from.

Your mother, who always stood by you and supported you, scraped together what she could. She used the last of her savings to help pay half the fees after you got admission. That left you to figure out how to survive.

Feeding yourself? You didn’t know how you’d manage, so you left it in God’s hands and hoped for the best.

***

The first day you walked into Legon Interdenominational Church, you hoped to find something more than sermons and praises. Perhaps someone there would see you, connect with you, and perhaps help you. Instead, you got leftover food and free meals from the events you attended. You were grateful and ashamed, feeling smaller with every bite that you took.

And then there was love. Or at least, what you thought was love. It arrived like a promise and left you the way a bad memory is never forgotten. Your honesty became a joke; your confession was something to laugh about, and the betrayal following it stung so painfully in your heart that it left you questioning if anything in your life was real.

***

You think about the day you wanted to end it all. You were tired. Too tired of fighting, exhausted from trying, bushed out of feeling as though nothing you did would ever be enough. That was the day someone finally noticed you. He reached out to help, but even then, he didn’t listen. He didn’t hear the way you were saying you couldn’t take it anymore. He should have just let you be without interfering with your journey to the next life.

And you’re still here. Somehow, you kept going on.

It’s hope that keeps you moving, stubborn, and persistent in the way a weed grows out through a crack in the pavement. Or maybe it’s just the voice inside you that refuses to give up.

Now, you stand on the balcony with the cool metal rail under your fingers as you stare out at the night. You feel invisible; you always do. A part of you wants to scream, to force the world to turn and look at you. The words fail you. Your mouth is buried inside.

Sometimes, you wonder if it’s because you’re a man — the reason no one sees you and makes your struggles easy to ignore. You think about the female celebrities whose beauty seems to do all the talking, opening doors and winning attention in ways you can’t.

You blame something bigger. It’s not you at all. Possibly, it’s the country: the way it feels like it’s designed to work against you and the way your soles crack from running around. You keep trying, putting in the effort. Trying, and yielding to a lack of results. It’s as if the system is broken. As if no matter how hard you try, the soil just won’t give back your results.

It feels like God has forgotten you. He doesn’t see you. You’ve prayed so many times, poured out your heart, fasted, and still nothing changes. No answer, no sign, no rain. Just nothing. The faith you once held onto so tightly now feels shaky, and it could slip away at any point in time.

You climb into bed, your roommate and his friend still glued to their video game, still not paying you any attention. You pull the sheet over your head, trying to block out the world and let everything disappear. The sadness feels enormous. It’s pulling you under, and you let it. You let your thoughts carry you away, far from the noise, far from everything. Far into somewhere else.



Bright Aboagye counts Aja Monet and Akwaeke Emezi amongst his influences. He dreams of becoming a surrealist blues poet, writer, and restaurant entrepreneur. Bright hopes that his work inspires and gives hope to all who engage with it.  He can be found on Medium, Blogspot, and Linkedin.

Decolonial Passage is honored to announce the 2025 nominations for the Best of the Net Anthology.  This list includes writing published between July 1, 2024 and June 30, 2025.  Congratulations to the nominees!



Poetry

“His Tousled Hair, His Toothly Grin” by Eric Braude

“color you dark” by Ashley Collins

“The Ancestor’s Song” by Leslie Dianne

“Sonics” by Joanne Godley



Fiction

“Michael, Deportee” by Stephenjohn Holgate

“From Glasgow Without Love” by Albrin Junior



Creative Nonfiction

“I, too, am California” by Kimberly Nao

“Note From Nonpeople” by Serhat Tutkal

The first time I saw her, she stretched as far as the eye could see in every direction. I’ve never seen God, but I imagine it’s like taking in the ocean for the first time. The ocean was my home — the only home I ever knew. The ocean kept me alive and gave me hope for the future.  

A future where I could be with her for all eternity.

At eight years old, I came home to an empty house, overwhelmed, scared, and exhausted. I could only call my mom in case of emergencies. Unfortunately, fear was not an emergency. I pulled my blue beach bucket out from the closet and meticulously laid all my shells on the floor. I carefully placed each one on paper towels and sorted them according to how they made me feel. Now, I realize why the bucket was so special to me. It represented freedom. The freedom to cry, the freedom to be heard, the freedom to be seen, and the freedom to live judgment-free.  My life seemed full of struggle, even my early years reeked of trauma.

My childhood wasn’t the worst, nor was it a cakewalk. It was marked by abuse, emotional neglect, and abandonment. I grew up in a predominantly Black neighborhood and attended a private Catholic school where I was one of six Black children. I endured years of being made fun of for having “nappy” hair, being “ashy,” “too loud,” “too ghetto,” and “too fat.” When I went home, the neighborhood kids called me “White girl,” said I “talked White,” told me I tried to sound “too smart,” and teased me for wearing a uniform.

I look back on those times, and I’m grateful my mother didn’t keep a gun in the house. Kids can be cruel. I lived in a constant state of anxiety, fear, anger, and self-loathing. I remember longing for death in elementary school. Why am I here? What’s the point of living? No one wants me here. In those moments of desperation, I imagined the ocean’s waves crashing on the shore and beckoning me to reunite with her. The second my feet hit the sand, none of that mattered. The warm sand on the soles of my feet and the grainy beads between my toes instantly cheered me up.

I always bring books to read at the beach, but I never read them. You would think that after decades of going to the beach, I would have learned to leave my books at home. I haven’t. The beach awakened my inner child — the child who didn’t get to exist outside of the beach, the latch-key kid, the kid who had too much responsibility, the child whose dad left and whose mom emotionally departed around the same time, the kid who was misunderstood and bullied.  

She came alive at the beach.

My favorite beach gift was sand dollars. I kept them on top because they were fragile, and I loved them the most. The bumpy, slightly porous texture of the outside and the beautiful pentagon star-shaped holes in the middle made them priceless to me. I held each one. I relished feeling the cold, hard shells in my hand, tracing each groove with my fingers. I rubbed the textured ones against my cheek, closed my eyes, and imagined myself lying in the sand. I felt the waves pulling and pushing my body. I didn’t know it at the time, but it was these small moments of visualization that rescued me from darkness. 

No beach trip was complete without seashells. I came home with my bucket full and happily relived the day. The beach is one of the only places on Earth that bestows gifts freely. As a kid, I remember the shore being filled with shells of all sizes. Perfectly shaped, no cracks, no holes, for as far as the eye could see.

Now, the beach gifts have changed. There are no more sand dollars. I would have better luck finding an intact kidney than an unbroken conch shell. All the years of being polluted and pillaged have finally taken their toll on her. Despite this, she still provides food, life, and shelter for countless species, including us. I decided to stop taking shells and enjoy her beauty while I still can.

The cool air reignites my childlike innocence. The saltwater, dripping down my face, cleanses me of all emotions. The once-cold water now feels like the most heavenly bath. I never want to leave. I long to be a mermaid who can swim away from this life on land and be amongst those who accept me in the sea. The ones who love me no matter the color of my skin, regardless of my pants size, and despite my shoes. They embrace me. Submerged in the blue-green water, I feel the comfort of being in the cosmic womb and the unconditional love and scorn of a parent who disciplines me whenever the limits are pushed.  

Looking out into the distance, I feel humbled by the vast open ocean. Water to my left, water to my right. The powerful waves knock me down and lure me back for more. Now and then, I feel something brushing past me, a colorful fish or a sprig of seaweed. I’m delighted and fascinated, watching schools of fish swim so close. Bright blues and pale yellows dance in the water around my feet. The water is so clear, I can see through to the bottom. No lifeguard forces me to take a 15-minute break.  I happily float for what feels like hours on my back.  The heat from the bright white sun beams down on my skin. I feel like the happiest Thanksgiving turkey.

The ocean saved my life on numerous occasions…I wonder if she knows.

Does she know that other than my daughter, she was the only one who stopped me from hurling myself off a cliff in 2023? When I lost everything within a couple of months. When I discovered the love of my life lied about our entire relationship. Resented my daughter and me. Lured me to Durham under false pretenses. Strung me along with talk of marriage. Lied about me like a dog, painted me out to be a narcissist, posted my intimate photos and videos on websites for all to see, and created fake profiles using my information to spite me. Does she know that the grief almost broke me? That the embarrassment destroyed me? I lost all trust in people. 

Can she sense that it was only memories of being with her that comforted me? The solace of feeling her warm embrace enveloping my body. I closed my eyes and imagined I was there, with her…in her, and for a moment, thoughts of her gave me respite from the torment. Focusing on her relieved me from intrusive thoughts. The times when doors were broken, laundry baskets thrown, and threats made. When I ignored red flags and inflated green ones.

It was only the smell of salt and seaweed carried by the breeze on a humid day that eased my pain. 


Lauren McNeil is thrilled to make her literary debut on Decolonial Passage and grateful for the opportunity to share her voice. Before this publication, you could find her writing in random notebooks, on scraps of paper, or on the Notes app on her phone. A former nurse turned budding creative, she eagerly seeks out opportunities to share her unique perspective. She is a beacon of light in dark places and hopes to inspire future generations. You can find her on Substack and on YouTube.

When my daughter was in daycare, I wanted to let everyone know about Eid. I bought dates, teamed up with another mom, asked to go to a class and share what Eid was with the class. I read a Bengali folk tale for children from a children’s book.  Then, we lit candles, and the smoke alarm went off. It was her third year in daycare — a time when my daughter was falling off the end of the world. In her first year, she was happy. At first, she didn’t know the language, so she would wait the whole day until she saw me, then run towards me and burst into tears.

 But the third year, it was the bullying. She wanted to be white. She drew herself white with blonde, straight hair and blue eyes. When a friend bleached his hair white, she kept asking him questions. Another friend and I locked eyes. We both knew what was going on in her mind. At that time, I asked many friends what to do. I asked my classmates who then referred me to other moms who also spoke to me about what children of color face in school at a young age and how to deal with it. So much figuring out, how to fit in, how to make things better for my daughter — a child growing up in America. 

“I sacrifice so much for her. Why doesn’t she understand how loved she is?” I said to my husband. “I don’t even brush my hair!”

“Why don’t you brush your hair? Why do you look like that? Maybe if you dressed nicely, she would look up to you.”

In the end, this was the strategy I chose, which seems strange to me now. I’m not the same person. I dressed up in shalwar kamiz with the gold earrings my mother had given me. I also wore a teep on my forehead.

 I went to pick up my daughter.

“What’s that on your head?” a child asked, pointing.

“Hush,” the teacher said, as if what I had on my head was something shameful.

I brought teeps for all the girls as gifts. I went to Bangladesh in the summer, and I brought back bangles and little cloth dolls to give away. We watched Hindi movies on a VCR, and I dressed my daughter in gaudy dresses, jewelry, teep, so she would have her own standard of beauty, her own role models, her own cheap, cheesy way of being feminine. 

The atmosphere among girls at that age in America is toxic. Girls watch Disney movies and dress and think of themselves as Disney princesses. She didn’t watch TV. She didn’t know anything the other girls were talking about, so they excluded her. But also, the clownish racist exclusion of someone with dark skin and curly hair, and adoration of another girl with white skin seems outlandish to even write about. The teacher said, “There is no racism here.” Of course. So, we watched these movies so my daughter would be able to join in the conversation and fit in. My professor explained that at this age, girls are arranged in hierarchies according to the status of the moms — like a hive around the queen bee. I scheduled playdates, threw parties, positioned us as a family in the hive.

Another dad with a daughter in an older class suggested bending the princess trope, introducing her to other versions of fairy tales, so we read The Paper Bag Princess and watched Kiki’s Delivery Service at his recommendation. (I really admired a lot of these fractured, fairy tale picture books and still love them.)

I surrounded myself with allies and we survived.

I don’t do that anymore. I don’t want to share, to be known, accepted. I write fiction rather than essays because what I have to say is not welcome. Even in my stories, I want to establish a faraway voice at a remove. It seems so long ago, the earnestness, the frenzy of wanting to be known, to explain. I would be embarrassed by the me of that time.

I don’t enjoy being in these spaces or the ways in which I have to compromise, grovel, demean myself to be in the room. In 2014, Obama had iftar in the White House. Many Muslims attended, gleeful, while Gaza was being bombed, with full support from Obama and the Senate. I asked one of them online why they would go to such an event, and they mumbled something about making space for Muslims. During the Ramadan one year while I was a student at Princeton, Bill Clinton was bombing Iraq. All the years that I have lived in the US — first as an international student, then as a mom, and an employee — have left me wandering the halls alone during Ramadan and Eid. I associate Ramadan and Eid now with silence, a complete erasure in our schools and places of work, with the added bonus of a bombing campaign somewhere.  

Now it is Eid again. My daughter is in college. Sick, I asked for leave from work. I asked to teach online. While negotiating, I realized it’s Eid. Every year, I either have to take the day off as a personal day, have my children miss school, or come to work, and just go about quietly pretending nothing is going on.

I am an atheist. 

I thought I would send an email out to everyone at work, wish them Eid Mubarak. Just to let them know. Then I asked myself, “Why? What does it matter when countries are being bombed?”


Gemini Wahhaj is the author of the short story collection Katy Family (Jackleg Press, Spring 2025) and the novel The Children of This Madness (7.13
Books, Fall 2023). Her fiction is in or forthcoming in Granta, Third
Coast, River Styx, Chicago Quarterly Review
, and other magazines. You can find her at GeminiWahhaj.com.

I never had a crush on David Lee Roth, but he had a crush on me.  And, he sang a song about it. You remember the video. David dressed as a tour guide leading tourists through sunny California, dancing around bikini clad girls singing, “I wish they all could be California girls…” On the beach, at a movie studio, so many girls in bikinis and with big Aqua Net stiff hair teased up much higher than David’s golden locks. He just loves these California girls. And well, that’s me. But wait…

There are no brown-skinned girls in this video. Tan, yes. Brown? No. And my hair? My hair is actually too big to be teased up to look big. My hair is long almost down my back, but it’s thick and frizzy and more like Diana-Ross-Central-Park-in-the-rain concert hair than bikini-clad-blonde-on-Venice-Beach hair. So, am I a California girl?

In fact, it wasn’t David Lee Roth’s song anyway. It was the Beach Boys’ song. They’re the original ones who loved California girls. As long as they had blonde-bobs-on-the-beach hair. Yes, bikinis and tanned bods. Not the 80s, but women in the 60s doing the jerk while the band defines the quintessentially endless summer sound and California lifestyle. And there are no brown skinned girls.

There’s cute, perky surfer girl Gidget. Not Sally Field Gidget. But Sandra Dee Gidget. The one that personified the California vibe in the 60s. The one that made everyone who wasn’t a Californian want to move to California and buy a surfboard and live on a Malibu beach for the summer. And it was always summer. Blonde Gidget. Is it her? Is Gidget the culprit? Is she the one that made every media image of a California girl thereafter blonde, tan, and bikini clad?

Seriously there are so many California blondes. Not just any blondes but the ones that defined the “California girl.” The Bionic Woman. I did not have a crush on David Lee Roth, but I did have a crush on the Bionic Woman. She was blonde and beautiful and could rip the yellow pages in half. And she had a bionic ear that could hear across long distances. I mean miles. She would push a blonde lock behind her ear and listen.  Apparently bionic ears can hear for miles, but they cannot hear through hair. I couldn’t push a lock of hair behind my ear. Well, I could but it wouldn’t stay there. My hair was not tame. It was wild and did what it wanted to do. The Bionic Woman was indeed a California girl. She lived in Ojai. You can’t get more California than that. Unless, of course, you lived in Malibu.

The Bionic Woman’s boyfriend was the Six Million Dollar Man. The Ken to Jamie Somers’s Barbie. The Six Million Dollar Man was played by Lee Majors who was married to the very blonde Farrah Fawcett. Another quintessentially California girl (even though she was from Texas).  Fawcett was Jill Monroe — the blonde on Charlie’s Angels with feathered hair bouncing in the wind as she chased down criminals. She ran the way boys run when their peers say, “You run like a girl.” Farrah was the breakout star of that show. And yes, you can find pics of the ultra-feminine Fawcett trying to look like a tomboy skateboarding Dogtown style down the street. But more importantly, there is the poster — Farrah, sitting in front of a striped Mexican blanket wearing a red bikini, one knee up, one leg down, head cocked back in a smile that shows all of her white, perfectly straight teeth. It is very California, and it is said to be the best-selling poster ever. I did not look like Farrah Fawcett. I tried to cut and feather my own bangs and ended up with an afro on my forehead.

Maybe that’s when I stopped trying to be the California girl. Yeah, I was born and raised in L.A. and went to school so close to the beach that the boys would surf every morning before making their way to class. I said “grody” and “gag me with a spoon” and “groovy.” But I wasn’t Gidget, or Farrah Fawcett or Lindsay Wagner. I wasn’t Pamela Anderson in another red bathing suit saving lives on a Malibu Beach. I wasn’t Angelyne or Malibu Barbie. I wasn’t even Bo Derek, hair adorned in cornrows, running in slow motion on a misty seashore.

I was the brown-skinned, frizzy-haired girl. Born of a Japanese American mother and Black father. My Japanese grandmother was Nissei, first generation born in San Francisco, California in 1913. My paternal grandparents came to California from Baton Rouge, Louisiana. My parents met in the Bay Area, and I was born and raised by my single mom in L.A. We did not live near the beach. We did not live in a sprawling, ranch-style home like all those blonde Brady girls. We lived in a two-bedroom apartment in a neighborhood both affectionately and derisively called the Jungle. With its grassy lawns and abundant foliage, it was the perfect playground for bike riding, hula hooping, sock ball, and tree climbing. But the crack-laden 80s and 90s made it resemble more the urban hellscape of Boyz in the Hood than the dreamy paradise of The Endless Summer.

But this, too, is a California story. Better than the glossy, glamorized image projected on television, this California is real. It’s brown-skinned and frizzy-haired, and mixed-race, and multicultural, and queer, and it’s me. I’m it. California is after all named after me. Not as if  David Lee Roth had a crush on me but instead, where the name comes from. According to the book, California Place Names, “[t]he term originally referred to a mythical land of Amazons, ruled by the beautiful black queen Calafia, as described in the Spanish novel, Las Sergas de Esplandian.” It’s me!

The city of my birth, Los Angeles, was inhabited by the indigenous Tongva people and was founded by a band of 44 pobladores who settled the area in the 1700s. These pobladores were of Spanish, Indigenous, and African origin. Brown-skinned. Pio Pico, the first governor of California under Mexican rule, designated Los Angeles the state’s capital. Yes, the Pico that the boulevard is named for, and he was mestizo, mixed with African, Indigenous, and Spanish ancestry. Brown-skinned.

The bouncy, blonde surfer girl version of California leaves out the Chinese immigrants who worked in the Gold Rush, the Japanese farmers who were later interned in concentration camps, the Mexicans and Native Americans who were here before the state was annexed to the U.S. The African Americans who brought jazz and soul and hip hop to waft along the Santa Ana winds with the Beach Boys and Van Halen and the Red Hot Chili Peppers. It left out the non-blondes who made the state what it was and is today. And by the way, surfing was invented by brown-skinned Polynesians, and Malibu is a Chumash word meaning “it’s loud over there” in reference to the waves of the unruly sea. Wild like my untamed hair.

I want to take a black crayon to plain white paper and draw a thickly bordered square. Above it, I want to draw a triangle and give the square a roof to make a house I never lived in. I want to take a brick red crayon and draw a rectangle for a chimney. And a gray crayon to draw a curlicue of smoke coming from the chimney I never had. I want to take a yellow crayon and draw a circle for the sun and a sky-blue crayon to outline perfectly fluffy clouds. It will be the home I never had but for some reason the one I always drew at school when my teachers asked me to draw a house. I imagine it on a perfectly manicured California street. Under it, I want to  pick up a black marker like a French teacher and write “Ceci n’est pas une maison.” This is not a house. Like that painting of a very realistic, very idealized pipe under which Magritte wrote “Ceci n’est pas une pipe.” Because it wasn’t a pipe, it was a painting of a pipe. And this drawing wasn’t my house. And that California was not California at all.


Kimberly Nao was born and raised in Los Angeles, California where she works as a professor of education at Mount Saint Mary’s University. She is the founder of Nao & Associates, a DEI and antiracism consulting agency. Her current projects include integrating contemplative practices in education, helping organizations engage in antiracist practices, and researching the historical landscape of Black Los Angeles. As a certified yoga and mindfulness facilitator, Kimberly believes that self-awareness and compassion for others leads to social transformation.

Decolonial Passage is honored to announce the 2024 nominations for the Best of the Net Anthology.  This list includes writing published between July 1, 2023 and June 30, 2024.  Congratulations to the nominees!


Poetry

“reflection” by Matthew E. Henry

“Embargo” by Fabienne Josaphat

“towncrier.” by Dana Francisco Miranda

“Reclamation” by Emma Ofosua Donkor

“Bones Beneath the Plow” by Joel Savishinsky

“O!” by Salimah Valiani


Short Stories

“Number Ninety-Four” by Mehreen Ahmed

“Home Affairs” by Otsile Sebele Seakeco


Creative Nonfiction

“Fading Away” by Ewa Gerald Onyebuchi

“Everything Disappears” by Eraldo Souza Dos Santos

Written by a person deemed ethnically ambiguous.

I know France isn’t a racist country, and I am not Arabic, so to speak. I’d like to believe that my resume, my showreel, my social media, or even my face speak for themselves, but apparently, they don’t. My mom has been fully integrated in France since she moved there as a child; yet she’s experienced systemic racism her whole life. She thought that giving me a French first name would be sufficient since I was born in Paris, white and atheist. Apparently not. In primary school, a kitchen server refused to serve me pork, said I should ask my mom if I could have some. That was just the beginning.

But France isn’t a racist country.

I started auditioning as an actress. Casting directors kept asking me about my origins, my ethnicity. I told them I didn’t speak Arabic, that I was born here in Paris, and raised in French culture. They continued asking about my origins.

But France isn’t a racist country.

They asked me to audition for a masseuse role, a Middle-Eastern-looking woman who loses her temper and starts “acting ghetto” with the customers of a five-star hotel because she “just can’t help it, it’s her nature”.  Then they asked me to audition for Fatima’s sister and learn a bit of Arabic. I could do that, right? They asked me to wear a hijab, to play a Syrian refugee. They asked me to play a Muslim YouTuber doing a DIY on how to put on a hijab. They asked me to play Samia, sitting by her husband’s side in a car before being pulled over by the police. “Hey, can you come in and audition for Suburban Arabic Girl Number Four? Basically, you’re with your homies in the subway, and you make a fuss, start yelling at people, throwing things around!”

 But France isn’t a racist country.

You can easily tell France isn’t a racist country when you walk around Paris accompanied by my mom who has dark skin. Besides the aggressive stares and whispers when we go to posh places, I have witnessed her getting pushed by a Karen’s trolly in a fancy market and followed by security guards when we stepped inside various stores. We even had a saleswoman tell my mom as she tried on clothes that she looked more like “someone dealing narcotics at the bottom of the building.” And then: “Are you going to pay cash? Wonder where that money comes from,” followed by condescending laughter. For the record, this last incident happened when my mom tried on a three-thousand-dollar coat that we bought despite everything.

But France isn’t a racist country.

It’s actually easy finding work in France when you have Middle Eastern ancestry. I’ve recently come across the most encouraging video on social media, about a Middle Eastern man who graduated as an airline pilot but couldn’t find work because of his name. A few years ago, I remember reading about another Middle Easterner who applied for a managerial position, got an interview where the employer told him he had the right qualifications, but couldn’t be hired because frankly, “no one will accept being managed by an Arabic man”. For my part, I remember when I applied for a job as a receptionist, and the recruiter pressured me to know if I had a criminal record. Because she “would find out eventually.”

 But France isn’t a racist country.

“So, tell me something: Where are you from? Really from? Oh, gee, why are you getting so cranky about it? It’s just a question! I’m trying to get to know you better! Are you ashamed of your roots? Don’t you want to act as a standard-bearer for all Arabic peoples? Stop playing the victim already! How dare you call me racist. I was about to introduce you to the best couscous restaurant in town! I bet it’ll taste exactly like the one in your country! What did you think of the movies directed by Riad Sattouf?”

But France isn’t a racist country.


Zoé Mahfouz is an award-winning actress, screenwriter and content creator. Her humor pieces have been published in Defenestration Mag, Wingless Dreamer Publisher, Spillwords Press, A Thin Slice of Anxiety and Witcraft. You can follow her on Tiktok @lessautesdhumeurdezoe.

“It’s okay, we’re talking about those Black people. You’re different.”

“You can’t possibly be cousins with her (with your dark hair and brown skin); you   look nothing alike.”

“I know that you think he’s cute, but Koreans don’t go for darker-skinned people.”

“You’re so beautiful and olive complected.”

“She’s an Oreo; more Black than White. She talks White.”

“What’s up with your hair?”

“Your Mama doesn’t know how to do your hair; you shoulda let me do it.”

“Do you feel like you’re more Black or White?”

“What are you?”

“You look exotic; where are you from?”

“My Dad doesn’t know that your Dad’s Black; he thinks you’re Mexican, so it’ll be okay.”

“There’s not supposed to be a Black person in this show; it’s not historically accurate! Oh, sorry. You’re half. That shouldn’t offend you, right?”


Jassy Ez, or Jasmine Ezeb, is an English Literature instructor in New Orleans, Louisiana. She enjoys teaching World Literature to her students and witnessing their light bulb moments as they make connections between old myths and modern-day society. She has a Bachelor’s degree in English Literature from the University of Holy Cross, and she was awarded Best English Student at her graduation. When not working, she likes to spend time with family and friends, explore small bookshops, and record audiobooks.

My momma, who woke up before the roosters crowed and before the early birds tickled worms from the earth, was always the last person ready. As I walked by her room before gracing my spot on the couch for the morning wait, she had on her robe and was just setting the temperature of her curling irons. The third time I checked, she was scrutinizing two almost identical necklaces. Holding one to her chest in front of the mirror, then shaking her beautiful black curls to and fro as she reached across the basin for the other. 

I remember bouncing on the edge of the couch, Bible gripped tightly, as Bobby Jones’ gospel played in the background. Pink peacoat layered on top of a pastel-colored dress, ruffled matching socks, gloves, and polished shoes. Momma assured us that rather than vain pageantry, our attire was symbolism of our adoration for the Lord. When she said this, I imagined angels seated like a panel holding large boxing-style score cards in their wings and watching each of us as we entered the sanctuary. Their task: to rank our attire in order of holiness. As I pondered their nodding in approval or blushing in disdain, I spun my head from the clock to the television so quickly it appeared the hands stood still. Nonetheless, we would be late to church once again.

Throughout the washing of dishes, and syruping all of our pancakes, and ensuring each hair on all four of our heads was in place, she licked her thumb. Swiping a lingering crumb from Leilon’s face, she was finally ready. En route, I begged to crack a window as our dusty van seemed oversaturated with my anxiety and momma’s bitter perfume. The ride usually took about eighteen minutes allowing either for a nap or several minutes of my wishing my mother were a more aggressive driver. She drove as if we were floating on clouds, cranking up The Clark Sisters’ Living in Vain as we coasted. My stomach could have easily competed with the world’s best on beam — tossing and turning in and out of knots. Fifteen minutes late and probably missing all of praise and worship, I struggled to place each foot in front of the other while entering the double doors to the church. Not a single thing would be different on the program; yet I scanned its contents, feeling as though I heard an ominous “tisk” and vowing to make up what we had missed later at home. Momma said God was our everything – a healer and a way maker. And we should be grateful for all He’d done for us — life, groceries, and clothes. But we were always late.

It never made sense to my tween brain. How could she love God so much, dedicate an entire day to honoring Him, but show up late every time? How could she be so rude?  How would God know we took him seriously as we slumped into the last pew of the sanctuary? During my Saturday night scarries — what I called my anxiety-filled dreams on Saturday nights –each church member would turn around in unison, heads shaking in disgust, as we dragged in like stale bread. How many points off would we receive on the scales of good and evil? How would God know I truly cared if we missed half the sermon or praise and worship? As I pondered God’s love evaluation system, questions bounced around in my dome like pickle balls at a senior center. I soon realized I’d left my eyes open, and my head was up instead of bowed during the benediction. How would I ever make it to heaven?


Jasmine Harris is a multi-genre writer and educational specialist featured in the Hidden Sussex Anthology, Prometheus Dreaming, Syndrome Magazine, and several others. She most recently served as the 2023 Arts and Science Center of Southeast Arkansas Arts in Education Artist in Residence.  Harris focuses her writing on celebrating Black culture and community, intersectional identities, and the evaluation of popular culture. She frequently quotes her inspirations as Maya Angelou, Ntozake Shange, and Tupac Shakur. Stay updated with her work and projects through her website https://jasminemharris.weebly.com or on instagram at dr_harris.

This tongue will never force words from a body that wants to remain shut. But I am packing in things you will need for the journey. I feel the heaviness of your secrets. Pin in strength and ask if this is what people want to help you carry. No, it’ll kill them, I say. It’s better you don’t say it. Some parts of me still believe you deserve saving. You deserve any ear that wants to listen, so I cut in. (And this is painful.)

I find you crying, and this is almost like a home I’ve lived in before. I find familiar paintings I left on the wall—stretches of red colours, begging me to stop, begging me to leave, begging me to wait. When it hurts to share, it hurts to even find solace in the eyes of people who will genuinely help ease the pain. When it hurts to share, we do not know if we want to share or not. We do not know when you have to leave because some parts of us will want you to stay.

I’ve been here before. Exactly what the others tell you. But when I tell you this is not a good place to rent, trust me, I do not say this to comfort you. I say this to tell you that there will only be a burial after a burial, a funeral with no song, and on days when you can’t let go of what is to be left gone, you will run back digging to reach the corpse of everything that burns your nose, of everything that will make you close your mouth shut while you want to vomit. (And this is painful.)

And that’s too much heaviness for you to carry. That is too much pain. That is too much for your eyes to hold in. When these words find a place close to you, I hope you hand them an axe to cut through your doors. I hope it breaks through your windows. I hope it gives you sunshine, air, and all the feels to stay open. (And this won’t be painful.)


Something New

Whatever happens in the womb of a woman is a time capsule, and I am told it’s the man who puts everything there.

He tills the grounds, ploughs, wets each side and plants the seeds. Every sweat that breaks loose from his face is water to quench his thirst for the hard work he does.

The woman holds everything in until a labour is due, and I’m told this is done with pain. Pain is the only belt one wears to create something new. They do all this with their hands and hold on until the time of harvest.

I want to ask them why they do this—I won’t say they do this for pleasure. I want to know how long they intend to love their fruits—I won’t say forever; it depends. I want to ask them if they think only about themselves when they argue. I want to know if they feel the pain they cause to other lands when they set theirs on fire. I won’t call the shots. I won’t say the children; the fruits and the farmlands have a lot to say, a lot to ask, and a lot to know about what happens during the farming season.

I’ll be quiet. I’ll have my peace. I’ll let them wonder what their pain does to us.


I Am Nothing But Rust

People perceive I have the strength of a wall, and anytime they want to build trust, they use me as a pillar. In their conversations, they mention my name as a verb. A sure ticket to get the work done. An assurance. A soothing tap on the shoulder, the blues in their skies. The star that waits beside the moon.

The wind comes knocking, and I’m supposed to hold still, bleed where I am cut, and break the mouth that wants to shout this pain away into smiles because I can’t afford to let anyone down. And imagine if we wore our intentions like handbags. I bet people would really see how often I give up.

How often I tire of being a punching bag that sleeps over and over every night for another round of training because it needs to be there for others and not itself.

I’m that thing that will fit in every bag. Like a comb or a perfume, or anything that stays to be used.

And they say the value of a thing is in its usefulness, but what they don’t say is that every useful thing must be treated with compassion for it not to lose its colour. And here, I’ve lost my colours, and I am nothing but a rust writing you a poem. I am nothing but rust, reminding you to give me back my shine.


Richard De-Graft Tawiah is a creative writer, spoken word poet, and LLB graduate from Central University. He is a 2022–2023 Nadèli Creative Cafe Bootcamper. He’s fueled by his passion for words and the change they bring. His journey includes volunteering at the Foundation for Educational Equity and Development where he channels his love for community service through literacy and youth empowerment. He also volunteers at Nadéli Creative Company on the Book of the Month Team. His works are published and forthcoming at the Global Writers Project, Ghanaian Writers, Nadèli Creative Company, and elsewhere. Find him on instagram at richydegraft, on Facebook at Richard De-Graft Tawiah, and on LinkedIn at Richard De-Graft Tawiah.