Four a.m. My father is out looking for gasoline.
Night at this hour is a tangle of hair,
a bush only the gifted seers can navigate.
This is also where I was radicalized.
On my television screen, I watch Bill Clinton
introduce my people to rations. I watch him
change our rice to another kind.
We begin to import democracy and then,
We are all wandering the night,
Searching for one drop of petrol,
And those lucky to find it will be rewarded
with a day of schooling.
Maybe we can after all resist brain drain.
Four a.m. Another day of tires
and cars charred at the crossroads.
The charcoal sings in the gaping
Mouth of a hot iron, and the steam
Kills everything but the linen.
We learn to live like this.
To make fire from the slivered bark of pinewood.
To slaughter and use all of the animal.
To drink its blood or fry its curdles
So that the weak can be saved
From anemia. We turn to cassava bread
And coffee. We find ways. We survive.
They must not know us.
Four a.m. A child was kidnapped
For ransom and never seen again.
The sun seems to have lost its luster.
The children are not safe and therefore
no one is safe. Nothing is sacred.
Not the holy water nor the frankincense,
not the songs nor the processions,
not the libations poured too late for spirits
we have neglected for so long to feed.
There is always plenty of time
Until there isn’t. We’ve forgotten the time.
We rest our bones for tomorrow,
We wake up and start all over again,
Roaming the streets for petrol at four a.m.
Fires Burning
Too many fires burning at once.
Every commentary on T.V. does nothing
more than stoke the flames.
Paper ignites right around 451 degrees.
Water boils at 212. Do we know
the exact temperature at which
to rescue a man from a burning tire?
Rescue a monk from self-combustion?
Rescue a people from self-immolation?
We who have lost faith
And land and voice and agency,
We who have chained ourselves to olive trees
We who have seen our lakes
Burn up in black smoke and breathed
The air to die, we
Who were told to chop down our trees
And bury our elders with our teeth,
We who heeded the command
and felled our own memories:
We who continue to burn demand only
The kindness of sipped water.
Everywhere, a fire burns.
Every single one of us
is running out of blame.
The Way You Are Loved
You know, the way you enter the house
And the pot had been simmering in wait,
And your mother holds your face in both hands
And you can inhale all the powder fresh scent,
That honeysuckle from her bosom, and you want to live there.
The way your grandfather wraps you in
The cotton of his voice, warms you up in earthy breath,
And feeds you pulp and nectar from the fruits of his labor,
And sits you on his lap to spin you a tale
From a motherland country so far and far away it sounds fantastical,
invented, imagined, a myth like all the others,
a fairytale built out of sea salt and constellations,
The breath of Gods who crossed the oceans.
You know the way this place keeps you bound,
tied to the umbilical cord so you’re never too far away.
In Guinea There is where it all started, where this love was born.
In Guinea Where your parents sit by the fire and send you
Signals in the smoke, and a man to love, a woman to hold,
a child or three or eight and keep that fire burning for all of them
To keep going and find their way back home.
Fabienne Josaphat is winner of the 2023 PEN Bellwether Prize for Socially Engaged Fiction, and the author of the forthcoming novel Kingdom of No Tomorrow (Algonquin). Her first novel, Dancing in the Baron’s Shadow, was published by Unnamed Press. Her publications include poems in Kitchen Table Quarterly, Grist Journal, Hinchas de Poesia, and Eight Miami Poets, as well as essays in The Washington Post and Teen Vogue. She is currently at work on a third novel. Find her at @fabyjosaphat and on both instagram and X/twitter.