Small Town: On the Scope of Sorrow and Beauty

It takes a reminder, a compelling moment, to bring the scope of sorrow and beauty back into focus. As I entered an RV park in Payson, Arizona, a mountain town favored by locals for its mild summer months, I had such an experience.  Often, in the light of something truly magnificent and inspiring, equal measures of sorrow and beauty mingle. We might know it as poignance, wherein joy and sadness combine to become a sweet fermentation of experiences. This is generally reserved for later years of life. And yet, despite its power, this condition often goes unnoticed.  

Upon arriving, I immediately noticed towering cottonwood trees, their leaves gently agitated by the wind. Safely away from the Phoenix sun, I felt a sense of freedom; no scorching heat would triumph against the breeze or bear with us into the evening. With that thought in mind, I felt refreshed. However, as I drove my motorhome over the winding path to my site, I took note of other things, situations contrary to the beauty of trees and sunlight.

Although called a “resort,” the place is really a trailer park in a small town, pleasantly overshadowed by mountains. Those of us with modest means either vacation here or live in “park model” homes year-round. And, with that, a sense of sorrow prevails, despite the sheltering cottonwoods that resist summer heat. I spoke to a few residents who were older and very concerned about skyrocketing rent. In a mobile home park, you must purchase your unit and then continue to lease the land—until you either sell or vacate the structure. For some residents, the latter option might be their only choice. Few people consider this as they enter such communities. Park owners present new units, ready for purchase, and emphasize the conveniences and amenities of the arrangement. Most people forget that the homes are very costly to move, and they devalue quickly. Moreover, the rent will increase annually—without fail, rent control being very much a thing of the past. Even with this in mind, I am still intrigued by the contrasts of the place.  

A tour of the park reveals a large, well-maintained clubhouse, a handful of newer Class-A motorhomes, and the shiny “park models” awaiting their new owners. Also in evidence are dilapidated structures, dreary with the neglect and desperation of older people who simply cannot afford to move. I spoke to one woman who cares for her 96-year-old husband. After he passes, she plans to walk away from their mobile home and live in a renovated van. And there are other stories, as well.

My nearest neighbor to the west had a number of drunken arguments with her son, when he came to visit and brought his little dog. Hailing from Tennessee, the family has been devastated by opioid addiction and the tragic death of a daughter and sister. Across the road and just to the north, a frail woman in her forties smiles in the mornings, attempting to be cordial as she hurries to work. She was ostracized when her pedophile boyfriend arrived to share her trailer. Although it’s nearly July, they keep Christmas lights blinking in the yard, draped around stone cherubs and pots of wilted flowers. With such occurrences, tragedy feels like the prevailing aspect of life here in the “RV resort.”  However, there is still the soft beauty of nature to enjoy, a power that abides throughout the seasons. And the place is not without a bit of charming irony.

As the only African American in the park, I was greeted in an interesting manner by a white neighbor. She said, quite sternly, “It’s a nice place, very quiet. We don’t have any riff-raff here.” Right. I tried not to laugh out loud or take offense at her insinuations. After all, I am not the owner of a park model. As a full-time writer and RV nomad, I am free — merely passing through as a seasonal guest. Although I am relieved to be leaving, I feel a strong sense of sympathy for this environment, this place of contrasting themes.

For the moment, mountains and pine trees prevail, as I regard the poignance before me. The glories of nature and a gentle climate are powerful in their role, softening an atmosphere of desperation with a sense of beauty, albeit temporarily. And this is the way of things in so many small towns. Such places embody poignance, demonstrating the scope of sorrow and beauty. I will be grateful to move on in a couple of weeks, as new horizons await.    


A. M. Palmer is a writer, graphic designer, and retired park ranger with work appearing in Belle Ombre, Adelaide Literary Magazine, Dissident Voice, and other publications. Inroads: An Urban Park Anthology is the author’s first book. Palmer holds a master’s degree in history from the University of San Diego and continues to research art and social history with a variety of upcoming projects. The author is a member of the National Association of Independent Writers and Editors.  Read the author’s latest work at A.M. Palmer, Literary Nonfiction.

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