Oath

I

The War had ended, or so the soldiers said, but in Asanteman it felt as though the world had only changed its clothes. The air no longer shook with the whistle of bombs or the crackle of gunfire, yet silence carried its own kind of violence. Roofs still bore scars from shrapnel, roads were broken into gullies, and compounds stood abandoned, their walls marked with the red earth stains of hurried burials.

But worse than the ruins was the waiting.

Every evening, as the sun began to soften, the women gathered beneath the broad cocoa tree by the stream. Its branches spread wide like the hands of an elder blessing a people, though its roots now coiled around rusting tin helmets half-buried in the soil. The tree had seen the war. It had seen sons march past with rifles too heavy for their shoulders, seen planes circle like hawks above the villages, seen women carry cassava roots on their heads through the bush while their babies whimpered on their backs. Now, in the silence after, it became a place of vigil.

They came wrapped in faded cloth tied tightly around their waists, the wrappers patterned with stories of fish, tortoises, and shells. Some carried chewing sticks between their teeth, others fans woven from palm fronds. The air was heavy with the smell of palm oil and smoke clinging to their hair. They brought with them calabashes of water, baskets of peeled groundnuts, sometimes even kola nuts, though kola nuts were scarce and precious.

They did not gather for gossip, though their tongues sometimes strayed there. They gathered because sitting alone in their compounds, staring at the empty mats of their husbands or sons, was more unbearable than sharing silence together.

Maame Kukuuwa always arrived first. She was still young enough that her waist beads jingled when she walked, though her face had begun to carve itself into the tired lines of widowhood. Her husband, Bediako, was taken by the Ashanti army in the second year of the war. He was no soldier at heart, he was a schoolteacher, his head always bent over chalk and slate, but the recruiters swept through, demanding every able-bodied man. He kissed her forehead that morning, promising to return when the rains came. The rains had come and gone three times now, but his voice had not returned.

Still, Maame Kukuuwa wore the coral beads he gave her on their wedding night. The string was fraying, but she told herself that if she kept them close, it would anchor him back to her. Every time footsteps sounded on the road, her eyes lifted.

Then there was Maame Efua. Her son, Kwamena, had been only sixteen when he vanished. He ran off one morning with nothing but a rusty rifle slung across his shoulder, his chest puffed up with the fire of youthful bravery. “I will fight for Asanteman!” he shouted, his voice cracking like a boy’s, not yet a man’s. He never returned.

Maame Efua refused to believe he was dead. Every market day she roasted yam in her compound, laying a portion in a calabash by the door in case Kwamena came back hungry. When neighbors shook their heads and told her to accept fate, she hissed and said, “Is the river dry before the fish disappears? My son is out there.” Her eyes had grown sharp and hollow from waiting, but her stubbornness burned bright.

And then there was Maame Adjowa. She did not carry the luxury of hope. Her first son, Kweku, was swallowed at Kumasi in the first wave of fighting; her second, Agyenim, was taken at Ofinso. The war drained her womb of pride, and she carried herself with a bitter dignity. She did not speak of them often, but sometimes, when the wind turned, her voice cracked and she muttered, “Two goats, both lost to the bush.” She came to the cocoa tree not for hope, but for companionship. She had no one left in her compound but herself, and silence was heavier than company.

The women sat together as the sun slid down behind the raffia palms, telling small stories to pass the time. They were stories of stubborn goats, of tricks played by the village children, of prices in the market. But underneath each word was the unspoken question: when will they come home?

Customs demanded silence until proof was given. In Asanteman, no one mourned a man without a body, or at least a token, a shoe, a lock of hair. Without it, the ancestors could not accept the spirit, and the man wandered in darkness. The women lived in that in-between—neither wives nor widows, neither mothers nor mourners.

Strangers mistook their silence for strength, but it gnawed like hunger. They remembered the war too clearly: the smell of flesh in bombed markets, the hollow eyes of starving children, the planes that sang death. They remembered burying pots of food from soldiers, chewing cassava peelings to quiet their stomachs. But worst was the leaving, the men taken in droves, some willing, others dragged away at gunpoint.

The men never came back.

The war ended with radio announcements and signatures far away in Kumasi, but in the villages, the war lingered. Women carried the war in their empty beds, their unswept mourning mats, their daughters who grew without fathers to negotiate their bride prices, their sons who never learned to wrestle in the fields with their elder brothers.

Each evening under the cocoa tree was a small rebellion against forgetting. They refused to weep until the truth returned, but in their sitting together they made their grief visible. They were waiting not only for their men, but for the permission to grieve.

Sometimes a traveler passed through, a soldier limping home, a trader from another village, and the women sprang to life, surrounding him with questions. “Did you fight near Sefwi? Did you pass through Kumasi? Did you see men with the name Bediako? Kwamena? Kweku?” They listed the names like rosary beads, hoping one would shine.

Most of the time, the traveler shook his head. Sometimes, he looked away too quickly, as though truth was a bitter kola stuck in his throat.

When the fireflies began to blink in the dusk and the first stars pricked the sky, the women rose, tying their wrappers tighter. They walked home, past the broken houses and fallow fields, back into the emptiness of their compounds. Tomorrow, they would return again.

II

The waiting began to change when whispers started to drift into Asanteman like harmattan dust. They did not arrive loudly, with drums or proclamations, but slipped quietly through the mouths of returning soldiers, the kind who walked with a limp or carried shadows in their eyes.

One afternoon, when the women gathered under the cocoa tree, a boy no older than ten ran to them with wide eyes. He had been at the lorry park fetching water for travelers. “I heard two soldiers talking,” he said, breathless. “They said in Sefwi there are papers. Papers with names. Names of the dead.”

The women stared at him. Maame Kukuuwa clutched her beads, her knuckles white. Maame Efua hissed under her breath, muttering a prayer. Maame Adjowa spat on the ground, her voice flat.

“Names are not bones,” she said. “If they have papers, let them bring us bodies.”

But the rumor stuck. That night, the women could not sleep. They turned on their mats, wondering: Could it be true? Was the state hiding what it knew?

The next market day, the whispers grew louder. A trader from Sefwi, his voice heavy with palm wine, told of a clerk he knew in the government office. “They keep lists,” he said. “When the fighting ended, they gathered names. Men shot in the bush, boys buried by the roadside. They wrote it all down. But the papers are locked away. They will not release them.”

“Why?” the women asked.

The trader shrugged. “Because truth is expensive. Hope is cheaper.”

The words spread like fire through dry grass. Soon, even the children carried them, calling out to one another as they played: “My Dada’s name is in Sefwi!” “My brother’s name is on a list!” Their laughter sounded strange, like the laughter of people who had not yet understood what death meant.

For the women, the whispers were salt rubbed into wounds. They remembered the war too vividly to believe in mercy.

Maame Kukuuwa remembered the night Bediako was taken. Soldiers banged on the door, demanding every man defend the land. “I am a teacher, not a fighter!” he protested, but their rifles silenced him. She watched him vanish into the dark, sandals slapping earth. That night she clutched her newborn so tightly the child cried for breath. If his name appeared on papers, it meant he had not vanished into smoke, yet it also meant he would never return.

Maame Efua would not listen. “Kwamena lives,” she insisted. “Lists are lies. Governments deceive. My son will return.” She roasted yam more fiercely than ever, setting a calabash by her doorway in defiance.

But Maame Adjowa, who had buried hope, believed the rumors. One evening beneath the cocoa tree, she said, “They let us wait because they fear our tears. If they tell us the truth, we will demand justice. If they let us hope, we sit quietly, roasting yam for ghosts.” The women shifted; none dared admit she was right.

A week later, three women, Adjowa, Kukuuwa, and another from a nearby compound, set out for the district office in Sefwi. By the time they arrived, wrappers dusty, throats dry, the yellow paint of the building peeled in the heat. Inside, a man in khaki fanned himself behind a wooden desk, his name tag gleaming, as he listened to their plea.

“We want to see them,” Maame Kukuuwa said, her voice trembling but firm. “We deserve to know.”

The man looked at them as though they were troublesome flies buzzing around his meal. He adjusted his cap, cleared his throat, and spoke with the smoothness of someone trained in avoidance.

“Madam, you must understand that these matters are classified. The government is still reconciling records. You cannot simply walk in and ask for such documents. When the time is right, if the time is right, you will know.”

“But how long must we wait?” Maame Adjowa demanded. “Our dead wander because you hide their names. Do you not fear the wrath of the ancestors?”

The man’s eyes flickered, but he did not answer. He waved his hand dismissively. “Go home, women. Go and farm. Feed your children. Do not trouble yourselves with matters you do not understand.”

They left the office with bitterness burning in their throats. On the walk back, dust rising around their ankles, Maame Kukuuwa cried quietly, while Maame Adjowa muttered curses under her breath.

That night, under the cocoa tree, the women sat in silence. Even the crickets seemed to hold their tongues. The truth was near enough to touch yet held just beyond reach by men who saw their grief as a nuisance.

It was then that a change stirred among them. For years they had waited passively, telling small stories, hoping for footsteps on the road. But now the waiting took on a new shape. The whispers broke something open: if the state would not give them truth, they would find it themselves.

Maame Adjowa said it first, her eyes glinting in the fading light.

“If the papers will not leave Sefwi, then we must leave the papers. There are bones in the bush. Graves by the river. Let us seek them. Let us claim our men with our own hands.”

The women looked at her, startled. It was dangerous talk, the kind that could anger soldiers, the kind that could bring misfortune if spoken too boldly. But as the night deepened, and the cocoa tree swayed in the wind, the idea began to take root.

III

The night the oath was made, the moon hung swollen above Asanteman, silvering the cocoa tree. The air smelled of rain, yet the women lingered, restless, like hens before a storm.

It was Maame Adjowa who broke the silence. “We have waited until our eyes ache from the road. Papers do not speak. Our men lie untended. If we do not bring them home, who will?”

Her words unsettled the group. Maame Kukuuwa touched the frayed coral at her neck. “How shall we know which bones belong to us?”
“The earth knows,” Adjowa replied.

Maame Efua shook her head. “My Kwamena lives. If I dig, I bury him before his time.” Her voice cracked, but she stayed.

The others agreed. To bind themselves, they swore beneath the tree, touching water, tasting cocoa, vowing never to betray the search. Efua kept her silence, defiant but present.

When the first drops fell, the women lifted their faces to the rain. Adjowa’s voice rose steady: “We will not rest until our men rest.”

The storm sealed their promise, and in its thunder, they felt both fear and a strange, rising strength. From that night on, waiting was no longer idle. It had become a vow.

IV

The following Monday, before the cock crowed, the women gathered in the dim blue of dawn. Each carried something small for the journey: raffia baskets, white cloth folded neatly, chalk for marking, clay pots for rituals. None wore bright colors; they wrapped themselves in sober browns and dark indigos, as if to blend with the earth they were about to disturb.

They began with the old men who lingered at the edge of the market square, veterans of a war they did not boast about. These men, bent-backed and hollow-eyed, had once marched with rifles, but now they leaned on sticks carved from acacia.

“Dada,” Maame Adjowa said to one, her voice gentle but insistent, “where did they bury the boys taken in the ambush near Sefwi?”

The old man coughed, spat, and looked away. “Why dig up ghosts, daughter? Let the past sleep.”

“Does a ghost sleep when his bones are unwashed?” she pressed.

The man’s eyes flickered. He pointed with his stick toward the thick brush that swallowed the farmlands. “There. By the old breadfruit grove. We dug quickly. The bombs were falling. I cannot say who is who.”

The women thanked him, their voices heavy with both respect and sorrow. Then they set out, their feet padding silently along the narrow bush paths. Children who spotted them whispered and ran ahead, carrying rumors that the widows were searching for spirits.

The first grave was shallow. The earth there sagged unnaturally, like a belly that had never flattened. With their hands and short hoes, the women scraped the soil away. The stench was long gone, replaced by the dry odor of rust and dust. Bones lay tangled with fragments of cloth and the skeleton of a rifle.

The women did not scream. They did not run. They knelt.

Maame Kukuuwa’s hands shook as she lifted a skull from the soil. Its jaw was broken, one tooth missing. She wiped it gently with the edge of her wrapper, whispering words as though the dead could still hear.

“Come home, love. Your wandering is over.”

They washed the bones in water fetched from the stream, rubbing chalk across the brow, then wrapped them in white cloth. They placed the bundle into a raffia basket as tenderly as if it were a newborn.

“Whose son is he?” one woman asked.

The question hung unanswered. There was no way to know. But it did not matter. Every bone was someone’s husband, someone’s child. To honor one was to honor them all.

They continued. Word spread, and soon hunters guided them to other sites: a trench where bodies had been heaped after an air raid, a hollow by the river where soldiers dumped the fallen before retreating. At each place, the women repeated the rituals, digging, washing, wrapping, singing.

Their songs were old dirges, carried from mother to daughter, laments that rose like smoke into the trees: “Return, return, children of Asanteman.
The earth calls you home.
Your mothers wait, your wives wait.
No longer wander, no longer thirst.”

The forest echoed with their voices. Birds startled from branches, and even the hunters bowed their heads.

Not all encounters were peaceful. Once, near the abandoned barracks at Asanteman North, soldiers confronted them. The men’s uniforms were crisp, their rifles slung carelessly as though war were a distant rumor.

“What are you women doing here?” one barked. “This ground is off-limits.”

“We are collecting what belongs to us,” Maame Adjowa said, her chin high.

“You disturb government property,” the soldier snapped. “These graves are not your business.”

The women stood firm, their bodies forming a wall. Maame Kukuuwa stepped forward, holding a chalk-streaked skull in both hands.

“Is this government property too?” she asked, her voice trembling but fierce. “If your brother lay here, would you leave him for ants?”

The soldier faltered, his eyes darting to the bone in her hands. His gun dipped slightly. For a long moment, the only sound was the wind in the grass. Finally, he spat on the ground and waved them away. “Do what you want. But do not say you were not warned.”

The women did not look back.

Day after day, they combed the land, their baskets filling with bundles of white-wrapped bones. Some villagers whispered that they were mad, that touching the dead would bring curses. Others brought them food, laying the offerings quietly at the foot of the cocoa tree.

By the time the moon turned new again, the women had gathered enough remains to fill three mats. No one knew whose bones lay where, but the women had decided: they would bury them as sons of the whole village.

“We waited long enough,” Maame Adjowa said, her voice low but steady. “Now we will rest them.”

V

The day of the burials came heavy with dust and silence. Harmattan winds veiled the village in grief as the women of Asanteman gathered, wrappers tied high above their breasts, some with shaved heads, others clutching raffia fans.

A line of plain wooden coffins lay before them, names scrawled in chalk. Some held bones, others only earth, but to the women they were anchors after years of uncertainty.

Maame Afrakomah broke the silence with a dirge:
“The great tree has fallen, who will carry its roots?”

A chorus rose. Younger women beat the ground, children clung to mothers, grief spreading like fire through brittle air. Elders poured libations over the coffins, invoking the lost:
“Wherever you have wandered, return. Wherever blood met soil, let the earth remember.”

Abeberese lit a clay lamp for her father, sobbing, “Dada, you can rest now.”

Yet bitterness mingled with mourning. As coffins lowered, Asantewaa’s voice cut sharp:
“Our husbands were not lost to the gods but to men—men who lied, men who left us empty. Let these burials be the beginning of truth.”

The women murmured, nodding. Maame Afrakomah raised her hand.
“They thought our silence was weakness. But we will carry this fight to the councils, to the state, until truth sits open like yam in the market square.”

That evening, when the last mound of earth was patted down and palm fronds planted to mark the graves, the women sat together, exhausted but strangely lighter.

Their mourning had found a home. For the first time since the war, there was no need to wonder if their men still walked the earth.

Asantewaa felt the ancestors close, whispering through the rustle of the palm leaves. She touched the soil with her palm and pressed it to her chest.


“They buried our men once in secret, but today we buried them in the light. The earth has witnessed. The ancestors have heard. And the living will remember.”

The night fell, but the village square glowed with the warmth of small fires. Songs of remembrance replaced dirges, softer, like a lullaby for the dead. The women of Asanteman, long trapped between hope and despair, stepped into a new season.

VI

Maame Kukuuwa stood apart, her frail frame trembling as earth closed over a coffin that did not bear her husband’s name. Tears ran freely, and she whispered into the wind, “Let it be him. Let it be enough.”

Around her, wails rose and folded into one another, a chorus of grief unbound. For the first time since the war, no woman wept alone; sorrow flowed like a river carrying all their losses together. The silence of years shattered, and in its place bloomed a release. The village, at last, had permission to mourn.


Daniel Naawenkangua Abukuri is a Black poet and prose writer from Ghana. His work has appeared or is forthcoming in Transition Magazine, The Malahat Review, Colorado Review, Chestnut Review, Orion Magazine, Berkeley Poetry Review, and elsewhere. He is a Best of the Net, Pushcart Prize, and BREW Poetry Award nominee; first place winner of the African Writers Award (Poetry); winner of Poetry Archive Now Wordview 2025; and a finalist for the 2025 Adinkra Poetry Prize. He was longlisted for the Renard Press Poetry Prize, named an Obsidian Foundation Fellow, and featured in the Obsidian and The Poetry Society Showcase. Find him on Instagram @poetraniel.

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