On exhibit at the Berlin Museum of Natural History is the dinosaur Giraffatitan brancai, which, like a giraffe, had a long upright neck and forelimbs longer than its hindlimbs. Notably, Giraffatitan is a specimen of colonialism, having been collected from the locality of Tendaguru in the colony of German East Africa (Tanzania today) between 1909 and 1912 and brought back to the German Empire’s capital.
Here in Berlin from Africa,
taken from Tendaguru’s hills!
Lofty among the atrium’s
glass and steelwork high overhead,
eye-socketed summit of bone—
The Giraffe Titan, astride Earth
once again! Do not strain your necks
as you gaze upward in awe, dwarfed
by Mesozoic proportions—
Depleting a continent green,
between this cavernous ribcage
and pelvis sat the source of its
insatiable appetite that
was fed by devouring its way
across Africa’s rife lushness
Strung along these gargantuan
bones were insensate muscles, their
violent contractions swinging
the limbs lumbering wantonly
to leafy troves snatched by its maw.
Next, note how the skull would look out
from this neck tall as a tree’s trunk,
the inhuman heights distancing
higher thoughts from the disasters
waged as each footfall would convulse
the earth, the trail of footprint scars.
Do grasp ladies and gentlemen,
that before you stands the terror
of its time, hunger incarnate
covered in scales, a creature who
by a glutton’s nature, would not
leave a single leaf on a twig
as whole forests suffered its teeth,
entire lakes flowing as rivers
guzzled down a sluice-long throat,
vast wilds fouled to wastes by sludge dung.
My good people, I implore you
to know that this scourge preyed upon
lands homing other animals,
availing itself of food
that would sustain them, untroubled
by whether then they might perish.
Woeful species that could not flee
Were left to the famines sprouting
from its presence, fields of ribs bleached
by the sun, with any challenge
extinguished by the immense weight
crushing bodies beneath four feet.
Be thankful that our Berlin Beast
is but a nightmare’s memory
bound to this defunct skeleton—
Please though take care to remember:
Evolution has a knack for
repetition, reinventing
wings among birds, bats, and beetles,
sleek fins among sharks and dolphins—
She’s likewise over the ages
rehashed her ravaging Titan,
finding a new form to harbor
its continent-gorging greed.
From Europe’s soil, her behemoth’s
avarice arose once again,
albeit in a much smaller
human’s stature. Staking feeding
grounds in Africa through charnel
colonies, this voracity
without end tries in vain to cram
itself full, stuffing its mouth with
diamonds and sapphires, rubbers sap,
gold and copper, clear-cut timber
medicinal herbs, ivory
and hides, animals bound for zoos,
fossils destined for museums,
plantation-grown cocoa and cane,
coffee, sisal, and palm’s red oil,
despoiled rivers and vistas, lands
fertile, grasses for cattle, men
yoked faceless for beast’s hard labor.
If you were to tremble at just
the mention of such crazed desire
not content until Africa
was consumed down to mere pebbles,
I could not blame you. However,
do know I tell you these horrors
alongside the bones showcased here,
so you can recognize as truth
that a rapacity apt for
a dinosaur can masquerade
as something human, giving you
no future reason to gawk, breath
stopped by a gasp betraying
an ignorance of our darkest
nature. Take this chance to acquaint
yourselves with this recurring bane
so to know when it walks the Earth
again, as we can but surely
wager that this monstrosity
will be reborn at a mere whiff
of wealth wafting from soil, luckless
lands left to fend off famished jaws.

Brandon Kilbourne is a Pushcart-nominated poet and research biologist from Louisiana who is currently based at the Museum of Natural History Berlin. Since 2018, his work has appeared, or is forthcoming, in Poet Lore, Ecotone, Obsidian, Tahoma Literary Review, Artemis, West Trade Review, Split Rock Review, The Fourth River, Santa Fe Literary Review, Panel Magazine, Slant, Sky Island Journal, Catamaran Literary Reader, and elsewhere. His work has also been translated into Estonian in Sirp.

I couldn’t agree more
I was completely engrossed in this beautiful and unsettling poem. Your words painted such a vivid picture of the Giraffatitan and its impact on the land it inhabited. As a research biologist, do you think there are lessons we can learn from the past about how we interact with our environment?
Anette
http://bestdogsstuff.com/
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