(On May 31, 1959—as she lay dying at the Metropolitan Hospital in New York, aged 44—Billie Holiday was arrested, handcuffed, and put under police guard for possession of narcotics.)
This busy bee, at the end of a life like clockwork,
a symphony of service to everything but herself—
wings snatched in a world blinded by the way it is—
slowly expiring in the sweet nectar of stillness, stung
with bittersweet poison, an alchemy of blinded faith.
And even this they could not abide.
Their white-hot burden, unappeasable,
like anti-gravity drawing light inside
its sense of self: righteous, obdurate,
enfeebled from all their inherited fears.
Who are these men that know nothing
about the blues? Inspiring jinxed history
with officious ink—corrections bled red
outside the margins, ignored or overcome—
their shared voice, warning: Be more like me.
Or worse still, stay separate, apart, unheard;
entitled or at least allowed to live: strange fruit
that rots inside dark spaces, or gets torn down
from trees, weeping their weary psalms of silence,
caustic smoke signals blown from burning crosses.
What do they know about beauty, their hatred the only thing
honest about them? What do they know about the helpless
ones: helpless for song, helpless for love, helpless for a fix,
helpless for joy, helpless for hope? God bless the child that
backward men would scorn, ignore, or erase—if they could.

Sean Murphy has appeared on NPR‘s “All Things Considered” and has been quoted in USA Today, The New York Times, The Huffington Post, and AdAge. A long-time columnist for Pop Matters his work has also appeared in Salon, The Village Voice, Washington City Paper, The Good Men Project, Memoir Magazine, and others. His chapbook, The Blackened Blues, is forthcoming from Finishing Line Press. He has twice been nominated for the Pushcart Prize, and served as writer-in-residence of the Noepe Center at Martha’s Vineyard. He’s Founding Director of 1455 (www.1455litarts.org). To learn more, and read his published short fiction, poetry, and criticism, please visit seanmurphy.net/ and https://twitter.com/bullmurph
[…] Next up is “Billie Holiday’s Deathbed” (thanks to The Decolonial Passage for publishing this one in 2021). […]
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[…] issue. (It’s been my honor to appear in their pages two other times, once for my poem about Billie Holiday and the other for my poem about Howlin’ Wolf.) My poem, “Pharoah Sanders Donating Blood […]
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