– after Malcom
Blackness is my business
Blackness is the fabric of my life.
Blackness is the carpet spread out before me.
I step into the body of my tribe
I claim my brown eyes
my broad nose
my wide lips
my high buttocks
my coiled hair.
They are my inheritance
they are non-negotiable
they are translations from the Black.
(The sun licks my skin for flavour
and finds me good).
Blackness teaches me song
I dance it
Blackness teaches me love
I birth it
Blackness teaches me silence
I hear it.
My blackness is a witness
There is nothing like my Blackness.
My Blackness has given
the family of lions its name
The name of my Blackness
is pride.
the altar of music
when i was god-thirsty
she loved me like water
cool in my throat
tonic of a woman
song of a woman
a sweet, cool liquid
spirit of a woman
her horse was the colour of music
dancing and pied
strutting and tossing
legs swift as fire
its neigh a melody
“i heard a low sound,” she said
“i thought it was your voice
but it was a violin”
“i thought i saw you fleeing,” she said
“a swift dark animal,
but it was a running deer.”
with gentle, intelligent fingers
she pried me apart like
segments of a fruit
then sang me into being
so that the earth
dark and plush as velvet
could claim and restore me
holding out a hand to raise me
she unlocked the music with a slow key
in all the houses of my heart
melodies caught in my hair
i stood in my grace
“when you need me, she said, “come,”
“come to the altar of music.”

Pauline Peters is a queer African-Canadian writer living in Tkoronto, on the territory of the Dish With One Spoon peoples. She has been published in Room, The Fiddlehead, PRISM international, Prairie Fire, The Malahat Review, Decolonial Passage, and elsewhere. Her chapbook, The Salted Woman, was published in Britain by Hedgespoken Press and her work was included in Best Canadian Poetry 2025.
